Tristan Marowski_LibGuide: Southern Literature

A dramatic autobiography and powerful firsthand account of slavery, written by America's most influential abolitionist. First published in 1845, Narrative of the Life of Frederick Douglass is an eye-opening depiction of American slavery. Part autobiography, part human-rights treatise, it describes the everyday horrors inflicted on captive laborers, as well as the strength and courage needed to survive. Born into slavery on a Maryland plantation in 1818, Frederick Douglass spent years secretly teaching himself to read and write--a crime for which he risked life and limb. After two failed escapes, Douglass finally boarded a train in 1838 that would eventually lead him to New York City, and freedom. Few books have done more to change America's notion of African Americans than this seminal work. Beyond its historical and social relevancy, it is admired today for its gripping stories, intensity of spirit, and heartfelt humanity.

By 1849, the Narrative of William W. Brown was in its fourth edition, having sold over 8,000 copies in less than eighteen months and making it one of the fastest-selling antislavery tracts of its time. The book's popularity can be attributed both to the strong voice of its author and Brown's notoriety as an abolitionist speaker. The son of a slave and a white man, Brown recounts his years in servitude, his cruel masters, and the brutal whippings he and those around him received. He provides a detailed description of his failed attempt to escape with his mother; after their capture, they were sold to new masters. A subsequent escape attempt succeeds. He is taken in by a kind Quaker, Wells Brown, whose name he adopts in gratitude. Shortly thereafter, Brown crosses the Canadian border. Brown's Narrative includes stories of fighting devious slave traders and bounty hunters, various antislavery poems, articles and stories (written by him and others), newspaper clippings, reward posters, and slave sale announcements.

Harriet Jacobs's Incidents in the Life of a Slave Girl is one of the most compelling accounts of slavery and one of the most unique of the one hundred or so slave narratives, mostly written by men, published before the Civil War. The child and grandchild of slaves, and therefore forbidden by law to read and write, Harriet Jacobs was defiant in her efforts to gain freedom and to document her experience in bondage. She suffered physical and sexual abuse at the hands of her master at the age of eleven. In 1842, she fled North and joined a circle of abolitionists that worked for Frederick Douglass's newspaper. In 1863, she and her daughter moved to Alexandria, Virginia, where they organized medical care for Civil War victims and established the Jacobs Free School.

An intimate portrait of a family and an epic tale of hope and struggle, Sing, Unburied, Sing journeys through Mississippi's past and present, examining the ugly truths at the heart of the American story and the power--and limitations--of family bonds. Jojo is thirteen years old and trying to understand what it means to be a man. He doesn't lack in fathers to study, chief among them his Black grandfather, Pop. But there are other men who complicate his understanding: his absent White father, Michael, who is being released from prison; his absent White grandfather, Big Joseph, who won't acknowledge his existence; and the memories of his dead uncle, Given, who died as a teenager. His mother, Leonie, is an inconsistent presence in his and his toddler sister's lives. She is an imperfect mother in constant conflict with herself and those around her. She is Black and her children's father is White. She wants to be a better mother but can't put her children above her own needs, especially her drug use. Simultaneously tormented and comforted by visions of her dead brother, which only come to her when she's high, Leonie is embattled in ways that reflect the brutal reality of her circumstances. When the children's father is released from prison, Leonie packs her kids and a friend into her car and drives north to the heart of Mississippi and Parchman Farm, the State Penitentiary. At Parchman, there is another thirteen-year-old boy, the ghost of a dead inmate who carries all of the ugly history of the South with him in his wandering. He too has something to teach Jojo about fathers and sons, about legacies, about violence, about love.

Beloved is the story--set in post-Civil War Ohio--of Sethe, an escaped slave who has risked death in order to wrench herself from a living death; who has lost a husband and buried a child; who has borne the unthinkable and not gone mad: a woman of "iron eyes and backbone to match." Sethe lives in a small house on the edge of town with her daughter, Denver, her mother-in-law, Baby Suggs, and a disturbing, mesmerizing intruder who calls herself Beloved. Sethe works at "beating back the past," but it is alive in all of them. It keeps Denver fearful of straying from the house. It fuels the sadness that has settled into Baby Suggs' "desolated center where the self that was no self made its home." And to Sethe, the past makes itself heard and felt incessantly: in memories that both haunt and soothe her...in the arrival of Paul D ("There was something blessed in his manner. Women saw him and wanted to weep"), one of her fellow slaves on the farm where she had once been kept...in the vivid and painfully cathartic stories she and Paul D tell each other of their years in captivity, of their glimpses of freedom...and, most powerfully, in the apparition of Beloved, whose eyes are expressionless at their deepest point, whose doomed childhood belongs to the hideous logic of slavery and who, as daughter, sister and seductress, has now come from the "place over there" to claim retribution for what she lost and for what was taken from her. Sethe's struggle to keep Beloved from gaining full possession of her present--and to throw off the long, dark legacy of her past--is at the center of this profoundly affecting and startling novel. But its intensity and resonance of feeling, and the boldness of its narrative, lift it beyond its particulars so that it speaks to our experience as an entire nation with a past of both abominable and ennobling circumstance.

Cat on a Hot Tin Roof first heated up Broadway in 1955 with its gothic American story of brothers vying for their dying father's inheritance amid a whirlwind of sexuality, untethered in the person of Maggie the Cat. The play also daringly showcased the burden of sexuality repressed in the agony of her husband, Brick Pollitt.

Bawdy and moving, the ultimate word-of-mouth bestseller, Rubyfruit Jungle is about growing up a lesbian in America, and living happily ever after. Born a bastard, Molly Bolt is adopted by a dirt-poor Southern couple who want something better for their daughter. Molly plays doctor with the boys, beats up Leroy the tub and loses her virginity to her girlfriend in sixth grade. As she grows to realize she's different, Molly decides not to apologize for that. In no time she mesmerizes the head cheerleader of Ft. Lauderdale High and captivates a gorgeous bourbon-guzzling heiress. But the world is not tolerant. Booted out of college for moral turpitude, an unrepentant, penniless Molly takes New York by storm, sending not a few female hearts aflutter with her startling beauty, crackling wit and fierce determination to become the greatest filmmaker that ever lived.

From Monique Truong, the bestselling and award-winning author of The Book of Salt, comes a brilliant, mesmerizing, beautifully written novel about a young woman's search for identity and family, as she uncovers the secrets of her past and of history. Growing up in the small town of Boiling Springs, North Carolina, in the 70's and 80's, Linda believes that she is profoundly different from everyone else, including the members of her own family. "What I know about you, little girl, would break you in two" are the cruel, mysterious last words that Linda's grandmother ever says to her. Now in her thirties, Linda looks back at her past when she navigated her way through life with the help of her great-uncle Harper, who loves her and loves to dance, and her best friend Kelly, with whom Linda exchanges almost daily letters. For as long as she can remember, Linda has experienced a secret sense--she can "taste" words, which have the power to disrupt, dismay, or delight. She falls for names and what they evoke: Canned peaches. Dill. Orange sherbet. Parsnip (to her great regret). But with crushes comes awareness. As with all bodies, Linda's is a mystery to her, in this and in other ways. Even as Linda makes her way north to Yale and New York City, she still does not know the truth about her past. Then, when a personal tragedy compels Linda to return to Boiling Springs, she gets to know a mother she never knew and uncovers a startling story of a life, a family. This astonishing novel questions many assumptions--about what it means to be a family and to be a friend, to be foreign and to be familiar, to be connected and to be disconnected--from others and from the past, our bodies, our histories, and ourselves.

Inspired by the author's own childhood, this stunning novel in verse, the sequel to the award-winning #1 bestseller Inside Out and Back Again, picks up two years after Hà and her family arrive in Alabama as refugees from the Vietnam War. Hà and her family have worked hard to make a life for themselves in the US, but it hasn't come easy. Hà has only just started to feel settled when Mother decides that the family will move to Texas for a new job. Hà knows how hard starting over is and doesn't want to have to do it again, but sometimes even an unwanted change can bring opportunity, new friends, and a place to call home.

"The 160 tales in this magnificent volume represent the richest record to date of a vital living legacy - the glorious folkloric traditions of the native American peoples. They also represent the combined talents of an eminent anthropologist and a master storyteller and artist, who have brought together both the best of folkloric sources of the last century and an exciting bounty of unpublished tales recorded by the authors from living storytellers. They sweep us across the entire North American continent - from the ancient Iroquois civilization of the Northeast, across the war-torn plains of the Cheyenne and Sioux, and up the rugged Northwest lands of the seafaring Aleut and Kwakiutl - drawing on the mythic heritage of over eighty tribal groups. The reach of the storytellers' vision is breathtaking, and illuminates a fantastic spectrum of traditional beliefs. Creation tales recount how our watery world was fashioned from primordial mud on the back of a turtle, its mountains and valleys the relics of ancient inhabitants. The first people spring to life from a sunbeam, a stone, or a drop of blood, and bring with them the vital corn, fire, or buffalo. Great heroes and heroines count coup for bravery on the battlefield, face hair-raising monsters, and make ghostly journeys to the spirit world. The scoundrel Coyote and his kin turn one hilarious trick after another, while poignant legends of love and sacrifice dramatize universal human predicaments. Rendering the tales with authority and authenticity, Erdoes and Ortiz infuse ancient images with compelling contemporary voices, and show how each generation shapes and re-creates its folkloric heritage anew. This is a book that will take its place with the masterworks of the field, to be read and relished for years to come." -- Dust Jacket.

The action in this debut novel alternates between 1738, as a Choctaw family prepares for war against the English, and the 1990s, as their Oklahoma descendants, the Billys, fight a Mafia takeover of the tribe's casino. In trouble with the law and in the fight of their lives, the Billy women must find a way, as their ancestors did, to join forces against a devious foe. Humor, toughness, and resourcefulness are the Billys' only weapons, until the Shell Shaker shows up. LeAnne Howe, an enrolled member of the Choctaw Nation of Oklahoma, is a fiction writer, playwright, scholar and poet whose writings on Choctaw women are drawn from both personal experience and scholarly research.

A name creates life patterns, Allison Adelle Hedge Coke writes, which form and shape a life; my life, like my name, must have been formed many times over then handed to me to realize. Rock, Ghost, Willow, Deer is Hedge Cokes narrative of that realization, the award-winning poet and writers searching account of her life as a mixed-blood woman coming of age off-reservation, yet deeply immersed in her Cherokee and Huron heritage. In a style at once elliptical and achingly clear, Hedge Coke describes her schizophrenic mother and the abuse that often overshadowed her childhood; the torments visited upon her, the rape and physical violence; and those she inflicted on herself, the alcohol and drug abuse. Yet she managed to survive with her dreams and her will, her sense of wonder and promise undiminished.

A masterful & assured debut by Choi tells the story of a Korean exchange student at a small Southern college and his burgeoning love affair with the deeply troubled daughter of a wealthy American family.

The true story of one family, caught between America's two biggest policy disasters: the war on terror and the response to Hurricane Katrina. Abdulrahman and Kathy Zeitoun run a house-painting business in New Orleans. In August of 2005, as Hurricane Katrina approaches, Kathy evacuates with their four young children, leaving Zeitoun to watch over the business. In the days following the storm he travels the city by canoe, feeding abandoned animals and helping elderly neighbors. Then, on September 6th, police officers armed with M-16s arrest Zeitoun in his home. Told with eloquence and compassion, Zeitoun is a riveting account of one family's unthinkable struggle with forces beyond wind and water.

Gifty is a sixth-year PhD candidate in neuroscience at Stanford University School of Medicine studying reward-seeking behavior in mice and the neural circuits of depression and addiction. Her brother, Nana, was a gifted high school athlete who died of a heroin overdose after an ankle injury left him hooked on OxyContin. Her suicidal mother is living in her bed. Gifty is determined to discover the scientific basis for the suffering she sees all around her. But even as she turns to the hard sciences to unlock the mystery of her family's loss, she finds herself hungering for her childhood faith and grappling with the evangelical church in which she was raised, whose promise of salvation remains as tantalizing as it is elusive. Transcendent Kingdom is a deeply moving portrait of a family of Ghanaian immigrants ravaged by depression and addiction and grief--a novel about faith, science, religion, love.